For half a century, Njila has been building a musical universe open to all styles, and today he is passing this legacy on to a new generation of artists.
For Njila, this encounter goes far beyond a simple tribute. “I accepted this invitation with pleasure and I thank the organizers. The goal of this show is to transmit art from one generation to another so that it can be discovered by as many people as possible,” he explains. The artist continues his creative work, adding, “I continue to compose new songs. This show is a way to pass on what I have built to the second generation.” He emphasizes that “Kanto Miampita is not a return to the songs of the past, but the continuity of an art that remains very much alive.”
The choice of performers was not left to chance. Johane was selected for his fame, his long-standing attachment to Njila’s songs, and a voice that the latter considers perfectly compatible with his own. Elsie, whom he met in Paris, stood out thanks to the power of her voice, while Mahery, his junior, already regularly shares the stage with him. Poopy was also among the artists considered but could not participate due to prior commitments. The young singers will also discover unpublished works, as nearly eighty new songs are still waiting to be unveiled.
For Johane, this collaboration is an exceptional experience. “It is a huge honor to work with Njila. I grew up with his music; my parents constantly sang his songs. It is a dream come true and a totally new experience for me.”
Njila’s journey began at the age of 15. In Ambatoroka, he took the stage for the first time following the death of his father. Close to the community and passionate about rugby and football, he also spent his evenings singing with the residents of his neighborhood. An apprentice classical guitarist under Étienne Ramboatiana, nicknamed Bouboul, he was noticed by Norbert Ratsirahonana, president of the fokontany, who encouraged him to perform. Despite the importance his family placed on studies, he eventually chose to follow his vocation and his love for music.
In 1978, a sermon heard on the street at the Arcades of Analakely inspired his song “Ilazao,” which later became part of the hymns of the FJKM Protestant Church (Fiangonan’i Jesoa Kristy eto Madagasikara). His artistic universe was then built around classical music, values of solidarity, and multiple influences. He later participated in the creation of a group with Poopy and Voahangy, before collaborating with several artists, including Anyah, Melky, and Lilie.
Captured & Published at: 2026-07-21 06:11:39 (Madagascar Local Time EAT)
Original Source: https://www.lexpress.mg/2026/07/portrait-njila-cultive-une-musique-sans.html